No, you have all of the possible ways of converting 24fps to 29.97fps (at least without performing all sorts of time-based interpolation - which can be done, but isn't by any professionals I've ever heard of). The most common is a mix of interlacing and inserting frames called the 3:2 Pulldown, or Telecine.Jasper-Isis wrote:So I'm trying to encode the improved Forbidden Memories for submission to rose4emily.
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How do you convert a 24fps video to 29.97fps without (1) interlacing it, (2) speeding up the footage, or (3) inserting extra frames and making the video jerky?
Or is it that you want us to interlace? In that case, then, the only DV codec that I have (the old Panasonic DV codec) doesn't... really interlace. It left the footage at 24fps, progressive. It also softened the video quite a bit and left a noticable greenish tint.
Actually, given how "clean" your footage is, it's not surprising that the Lagarith codec provided a smaller file size than DV. Mine actually encoded more tightly with HuffYUV than DV. This is just a fluke caused by the highly "structured" nature of most animated footage compared to the more "chaotic" nature of most live-captured footage. Lossless entrophy methods work better at compressing higly ordered footage, while DCT-based methods (JPEG, DV, MPEG...) only begin to shine when the picture contains a very large amount of detail that is ordered in the frequency domain (it doesn't look like it's just a bunch of noise), but less so in the spatial domain (it's not a lot of large regions of flat color separated with black lines).Jasper-Isis wrote: I ran some tests with editable codecs, and here are the files that I ended up with.
Huffyuv v2.2.1. 720x480. 24 fps. 44100Hz, 16-bit WAV audio. [749 MB]
This is the master huffyuv file that I've been encoding everything from. I have resampled the audio, per your request, for the next two files.
Panasonic DV. 720x480. 24 fps. 48000Hz, 16-bit WAV audio. [468 MB]
This is the DV file that I talked about above. Panasonic DV seems to be a pretty outdated codec, but it is the only one available to me. For the reasons mentioned above, I'd prefer not to use it.
Lagarith lossless codec. 720x480. 24 fps. 48000Hz, 16-bit WAV audio. [409 MB]
This one really surprised me, as it's a lossless codec but came up with a filesize even smaller than that of the DV encode. This is the file that I'd like to submit, but I don't know if your computer can support Lagarith.
I'm not sure whether Lagarith does any form of interframe encoding, but I suspect that's where the huge file savings over HuffYUV comes from.
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Just submit the HuffYUV. I'll take care of the Telecine and audio sample rate conversion.
I ask for the NTSC footage under the assumption that most of you began with NTSC source. You probably did, too, but I think it's most practical to work off of the 24fps master you have, especially where it really does look every bit as nice as the Fruits Basket DVDs did. Performing a Telecine on 24fps before submitting is actually just padding the file size, and isn't going to provide any benefit over sending the 24fps. If you already have NTSC footage, on the other hand, it may or may not (depending on when the studio did their telecine process - before or after editing) result in a loss of quality if a Pullup is performed before transmission, only to have a Pulldown performed again before encoding.