Hmm... well if that's the case, then how about this. What if there were an actual AMVS4 title between the Sony POS and the first clips? It'll solve multiple problems, including the fade, the lack of a stronger AMVS4 intro, and clear it off that first slap chop clip (which could use a bit crisper editing in the beginning I think). If you want, it's almost nothing to do a 3D logo with some reflectivity and lighting. Could do something fun with it. Like off the top of my head, have AMVS4 floating in with the Space Odyssey 2001 theme, and right when it gets to the trumpet flourish, have it spark and the music cut in and out, kind of like the THX logo in theaters that needed to repair bot, but have it just fall the hell out of the screen and just have someone curse or something ^^ I could do that relatively easily, especially with so much time to do it. I know the exact curse to use too ^^...the POS? I was using that as a buffer to go between the Salads as a PSA or "news break," hence no test pattern.
Also, is it decided that AMVS3 and AMVS4 are going to be separate? Were the AMVS3 credits there just to test how it'd be if they were connected?
Looking at it, that may be a little too soon, but yeah. Ideally it'd be around the 16-18 minute mark in the current version of things. Also, a strange thing I noticed that may be worth looking out for. Watching the Commander in Heat one, I realized it may be 'dangerous' to the connectivity of Haruvi Baadoman and the end credits clip if there's another Haruhi clip between them. It may actually disconnect them in the audience's mind to see her out of that context between them. Guess just something for us to watch out for just in case.I originally had yours and Commander in Heat switched. I'll make the adjustment and look again for the DV. As far as the credits, I can see how they're sloppy, even for a first beta. I knew there would have to be work done on those. We'll work on it.
I'll backpedal on this one. Watching it again, it works the way it is. I was in 'first impression mode' when I first watched, and didn't focus that the editing was solid enough that it worked as a continuation. I still believe the joke lands after the first Thunderbirds, but the later edits punctuate it, so it doesn't harm the joke at all.Thunderbirds: Will see what the creator says.
Agreed... without the center square it would feel unfinished. It could actually be shortened in the theme. Could be Soundforge edited to bring the ending trumpets up against the first "way they all became the brady bunch" section and cut out a good ten seconds of audio without losing anything. Could do an experiment with it if the author doesn't have soundforge or anything to see what it's like.Kyoko Bunch:: Honestly, even though it's not a closing punchline, keeping the theme song intact is important; especially filling in he center square.
Guess that makes sense. I've never really liked That 70s Show so I didn't recognize it. All I know is I was left generally confused by it. I was listening to everything with the base thought "Will the general audience get these?" and this is one that is dependent on the popularity of That 70s Show I guess, which is apparently pretty popular. So no biggy there I guess.Hallmark:: Not too sure about doing anything with this one except for, maybe, placing it earlier on the timeline. Anyone who's seen That 70s Show should recognize the source. Also, the opening segment is needed as a setup so I understand it being there.