A bit of a tangent here but I HIGHLY agree with nathan on this. Best Technical imo shouldn't go to the editor who took the most risk and edited together something really well. It should go to the video that is technically flawless. Example this year - I still believe it belonged to the Overwatch video (Pyrrhic by PieandBeer). Reason being is because as I watched I found it very difficult to pin point what was done to it. The scene selection and transitions were amazingly smooth and while on the surface it looks like a non-effects video there was still plenty of work (or simply a natural eye) in making the whole video seamless. While the Weeaboo video was ambitious, not to pick on Shin here, but while watching I could easily spot "oh there's a mask transition". They didn't look bad, but like nate said "The best effect is one that is not noticed at all". And as a seasoned editor with a sharp eye I say it should have gone to Pyrrhic.ngsilver wrote:I'm going to play devils advocate here with some of your definitions of what equals technical errors. Almost all of the items you suggest could be artfully added for a technical merrit of it's own by an editor in order to come up with something else interesting, I'd reference the video as an example of an editor who basically put all the gripes and editing errors popular at the time (similar to what you've listed, as many of these are now popular as being bad) and made a video that was considered technically sound and good. As it is your definition overall seems to merrit techniques and effects that are able to be seen and noticed as an effect. I would argue that the best effect is one that is not noticed at all. That is what should be strived for.
Keep in mind that I would also argue on the fade to black thing, any proper encode, playback system, projector included, worth it's salt should not have any issues with black frames, especially not eating them. Black and the absence of video can and should be used to highten the effect of certain types of scenes and ideas no matter how you get there, fade to or cut to.
Also, I'm noticing this 100% fade to black taboo thing parroted a lot lately. While to an extent yes I can see times where just going to 80% would look better, but flat out declaring it a sin is jumping the shark. If you told that to a professional trailer editor they'd probably laugh at you. And I've never seen a projector stutter on such a cut. 80% black is becoming an editing trope so don't take it for granted.