The best piece of advice you've gotten about AMV making

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BasharOfTheAges
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Re: The best piece of advice you've gotten about AMV making

Post by BasharOfTheAges » Tue Apr 24, 2012 3:19 pm

"Get back to work."
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siny
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Re: The best piece of advice you've gotten about AMV making

Post by siny » Tue Apr 24, 2012 3:41 pm

TritioAFB wrote:Probably the best one I got was:

'When you start editing, forget about the world. Forget about everything. It's only you and the video. What's the point of making a video if you don't find it funny? what if you made a video that really blows, but you're not happy about it?'
Ahah this reminded me how people still don't understand how I lose track of time while making a video... "But you do have a clock on your computer, right? I don't understand!". I just get into a whole different world :ying:
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Re: The best piece of advice you've gotten about AMV making

Post by [madaraxD] » Tue Apr 24, 2012 4:20 pm

Edit for you, not for others. :up:
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irriadin
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Re: The best piece of advice you've gotten about AMV making

Post by irriadin » Tue Apr 24, 2012 4:31 pm

"Don't put scanlines everywhere"

I am a little too fond of them... :roll:

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Re: The best piece of advice you've gotten about AMV making

Post by EimiJ7 » Tue Apr 24, 2012 7:45 pm

just because you've never done it before, doesn't mean you shouldn't try

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MycathatesyouAMV
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Re: The best piece of advice you've gotten about AMV making

Post by MycathatesyouAMV » Tue Apr 24, 2012 10:58 pm

Believe in the heart of the cards.
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Re: The best piece of advice you've gotten about AMV making

Post by Phantasmagoriat » Wed Apr 25, 2012 11:07 pm

Know what you are trying to accomplish. :sweat:
  • Simply wanting to 'make something cool' is usually too broad since
    there are a million different ways this can be achieved.
    Getting specific makes everything much easier to work towards.
    Even if you just want to compile a bunch of cool scenes set to a song you like...
    • ...once you say it out loud, everything becomes much more focused.
Flow. :bear:
  • Whether it be flow of your audio/video/concept/whatever...
    This could mean synch, movement, storyline, or even the setup to a joke... etc.
    Whoever is watching it should have an easy time seeing the natural flow/progress of your AMV.
    (Especially if you have a particular goal in mind.)
    • ie. This happens, then this happens, then this happens...
      There doesn't necessarily have to be a story, but there needs to be some cohesion.
Patterns. :bzz2:
  • Music has many patterns. Keep track of them.
    It reeeallly helps if you organize and keep track of the structure of your music in your timeline.
    I know some people like doing this as they go along, but if you do this before starting
    your project, you can get a better overall sense of how your AMV is going to turn out.
    Then, simply tailor your AMV around those patterns:
    • Dedicate certain ideas of your AMV to certain sections of your song.
      Place your coolest scenes at pivotal moments in your music.
    • It's far easier to conquer many small sections than trying to do everything at once.
      It's also easier to determine sections of 'downtime' in your AMV.
      • AMV's do need downtime... sections to just connect different parts of your video.
        If you don't have that, there are no natural raises/falls for your audience to follow.
        • Just like a wave. And everything is a wave. Everything! (And all waves have patterns)
Predictability/Unpredictability. :nose:
  • As much of a paradox as it is, people expect to be surprised.
    The audience should be able to expect certain things to happen at certain
    times based on the music and flow of your visual/concept patterns.
    Whatever you do at those moments is where the unpredictability comes in.
    • ... but try not to be so unpredictable that it get's confusing,
      • and not so predictable that it get's boring either.
        • To get around this I usually try to "Be unpredictable in a predictable way."
Technical Understanding. :idea:
  • Know how to use a computer.
    Know that certain formats are better-suited for editing; others are better-suited for online distribution.
    Know about things like framerate. It helps with timing and frame-accuracy.
    Know how to maintain good quality.
    • Know what you are doing.
      • It always comes in handy.
Study. :book:
  • Study good AMVs.
    Study your own AMVs.
    Study your Audience. Put yourself in their shoes. Get in their heads ^o^
    Study Contest Guidelines (Requirements? does it fit into a certain category?)
    Study your Footage: How did the creators lay out the scene? or make cuts the way they did?
    Study Visual Literacy: Color Theory, Cinematography, Comics/Manga, OMG Rule of Thirds, Minimalism etc...
    Study Audio: Know the difference between Beat and Melody; Listen to a range of genres; develop good taste in music.
    Study This. (I should really re-make that one of these days...) [use faststone or something to view it...]
    Study Guides. They are everywhere, including these forums...
    • Then Experiment. Constantly. But budget your time reasonably.
      Be Efficient. Smart. Focused.
      Practice making full AMVs too, so you are comfortable with the whole process.
      • (It'll give you a completely different perspective on things.)
Honesty. :amv:
  • Finally, be brutally honest about the moments when you
    think the audience [whoever it is] might be either bored or confused.
    • This could save you a whole lot of embarrassment when you realize
      what it's like to be on their end of the video.
-----

Hope this helps.


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ZephyrStar
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Re: The best piece of advice you've gotten about AMV making

Post by ZephyrStar » Mon Apr 30, 2012 2:28 pm

Best advice I ever got was |:>

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Re: The best piece of advice you've gotten about AMV making

Post by GloryQuestor » Mon Apr 30, 2012 8:14 pm

MycathatesyouAMV wrote:Believe in the heart of the cards.
:up:
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Re: The best piece of advice you've gotten about AMV making

Post by Vlad G Pohnert » Tue May 01, 2012 12:56 am

Wear Sunscreen.

Well... That will help if editing outside in the sun alot.
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