Like hell it isn't. You just killed the whole point of widescreen video.the Black Monarch wrote: As you can see, the difference is really not that noticeable.
Combining 4:3 ratio with 16:9 ratio footage
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Klinky is right on this one.
Although widescreen film formats were experimented with in the early years of cinema (to get around Eddison's patent on 35mm) it wasn't until post-ww2 that the industry saw a growing need to show that cinemas had something that TVs didn't. When Cinerama (a three-camera technique) was used at great expense it caused a great demand for a new film type.
Fox developed CinemaScope and Paramount developed VistaVision... the rest of the industry waited to see which was most popular, the cinema chains had to convert at great expense but got large profits with the new system. Everyone then accepted CinemaScope, for the obvious reasons that it was a widescreen format that could also contain a soundtrack on the film.
(then you get IMAX in the 60s)
Although widescreen film formats were experimented with in the early years of cinema (to get around Eddison's patent on 35mm) it wasn't until post-ww2 that the industry saw a growing need to show that cinemas had something that TVs didn't. When Cinerama (a three-camera technique) was used at great expense it caused a great demand for a new film type.
Fox developed CinemaScope and Paramount developed VistaVision... the rest of the industry waited to see which was most popular, the cinema chains had to convert at great expense but got large profits with the new system. Everyone then accepted CinemaScope, for the obvious reasons that it was a widescreen format that could also contain a soundtrack on the film.
(then you get IMAX in the 60s)
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