I don't really know what video you're referring to so.. umm..
Douggie,
I don't know how many times I need to repeat this...
Storytelling isn't something I touched on.. cause yea.. sure you can have an unconventional way of telling a story.. that's fine.. but if the video doesn't make any sense anyway, then what's the point?Koopiskeva wrote:No, it's perfectly fine to do that.. it's not like the definition of a classic AMV is some kind of holy grail that all editors should strive for. It's when people view theses concept videos as some kind of 'new path' for AMVs or saying that they give 'more substance' than AMVs is what irks me. It's just a different way of using the sources. It's not anymore a new path as what people already do with other mediums.. trust me, I can make some random floating things on screen, with a weird kind of flow/synch and give some vague little reference to some word... is that creativity? No. Creativity should have a focus, a clear focus, to be deemed something that is worthwhile. I can think of dozens and dozens of ways to use footage in a way it has never been done in an AMV, as most can, but that doesn't mean it's creative unless it's actually cohesive and makes a point.
Here'.. I'll go into specifics.. in that Vertigo video where some people say they 'get more substance' out of it than a traditional AMV.. the video starts out with a definition of the word vertigo:
"Erroneous sensation of the movement of surrounding objects relative to the body or of the body in relation to surrounding objects"
So I watch this video expecting to see this title to have relation on the video.. and what do I see? A bunch of random imagery of some guy with masking, zooms and shakes... sure that could very well be how the editor sees how 'Vertigo' might feel to someone and that's perfectly fine... but how is that any more 'substance' than any other AMV? Like I said, it's just a different take on how to use footage and could have easily been done with other footage, and would've even been more successful if the footage was shot/created for the video itself.
I never said that the videos I had linked didn't have a point (although they are pretty close to it in my opinion). I was merely trying to drive home a point to Crackerz about how pretentious videos can be and how there are people who will perceive some kind of point to 'arthouse' videos simply because they are unconventional and abstract, especially when the author is vague about it in it's description.
I can make an 'arthouse' video. EASILY. I can make some obscure reference to something and be vague about it. I guarantee that someone somewhere will see it and be like 'OMG THAT HAS WAY MORE SUBSTANCE THAN CONVENTIONAL STUFF BECAUSE ITS UNCONVENTIONAL.' No... it doesn't. It's crap. Pretentious, stupid, crap. It's made for the reason of being different just to be different.Douggie wrote:I think Nappy hits the nail with his argument, I think those "arthouse" videos actually have more point than most the action/dance/drama/whatever AMVs most people here like.
However, this whole thing really goes away from the first post I made anyway.. I didn't want to get into this whole 'digital art' thing.. I was merely talking about those videos as examples in relation to AMVs. And in that respect, I've already said what I wanted to say.. that I don't see their appeal as AMVs (in classic AMV terms).. and that I don't see their point in using anime at all, hence though they're technically AMVs, I don't get their appeal and I feel that it's quite arrogant for someone to say that they have 'more substance' or have 'more point' than than regular AMVs. It's different and unconventional, but that's it. Don't give me this 'more substance' nonsense... you only feel that way cause it uses things differently and its abstract, which doesn't translate into 'more anything.'