Phade's Guide to Good Anime Music Videos [Written in 2001, updated in 2002]

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Phade's Guide to Good Anime Music Videos [Written in 2001, updated in 2002]

Post by Guides » Sat Oct 14, 2023 6:00 pm

This guide was originally written by Phade on January 29, 2001, and updated in October 31, 2002.
It is presented as close to its original format as possible, with only obvious typos corrected.
This guide is a general overview of what makes a good anime music video. If you have never tried to create and AMV, please read this guide first. Once you have finished, please read all other guide BEFORE starting to create your own AMV and BEFORE posting questions on the Help Forums. Doing this will (hopefully) keep you from looking stupid. ;-)
The guide on archive.org


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Phade's Guide to Good Anime Music Videos

Post by Guides » Sat Oct 14, 2023 6:02 pm

Phade's Guide to Good Anime Music Videos


The ultimate goal of any anime music video creator is to make a good video. The ultimate goal of any anime music video is to entertain. Here is a brief guide on how to accomplish that goal.

PREPARE

Before you get started on your own video, you must first figure out what is a good anime music video and what makes it good. Figuring this out isn't some 10 minute revelation. You have to watch many videos over and over again that are considered good. Watch them closely. Watch them several times in a row. Why is the video good? Be sure to view a minimum of Phade's Required Viewing. Figure it out and then try to do what they did.

Then watch some mediocre videos. Why are they mediocre? What makes them mediocre? What could the creator have done to make the video better? (Now don't get too cocky here about what they could have done better. There are be plenty of legitimate reasons why they didn't make it as good as they could: insufficient equipment, insufficient time, insufficient footage, not enough effort, or they just plain got tired of making the video and just wrapped it up.) At any rate, notice what could have been done better and try to avoid what they did: learn what not to do. I'm not going to give you a list of mediocre videos; I'm sure you've found some on your own. =)

MOTIVATION

The next question may come as something you may not have thought of: Why should you make an anime music video?

Contrary to popular belief: creating an anime music video does not make you cool. This misunderstood belief is the cause of the majority of the crappy videos out there. What will make you cool is creating a video that is appreciated by your fellow creators and AMV fans. So, contribute a video to the world that represents the best of your abilities, is a fresh concept, and is a video that you believe will be appreciated by others.

So now that you've gotten a general idea of what to do and what not to do, it is time to start on your own video.

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STEP 1: GET SOME EQUIPMENT

Post by Guides » Sat Oct 14, 2023 6:05 pm

STEP 1: GET SOME EQUIPMENT


Ok, you can't make a video without equipment and here is where the major cash expense comes in for creating videos. You basically have a few things that you must pay attention to: video capture card, hard drive, RAM, and CPU speed.

VIDEO CAPTURE CARD

First you need to decided if you actually need a video capture card. If you are going to use all DVD footage (never use downloaded footage), a video capture card is really not necessary. But if you are using an anime that isn't out on DVD yet, you will either have to use a video capture card to get the analog source or just not use that anime.

A good video capture card will have some sort of hardware assistance for capture and not solely depend on your CPU. The ATI Rage All-in-Wonder cards use your CPU to do the capture, so you have to have a fast cpu/hard drive combo to make captures smooth. The Pinnacle DC10plus, Matrox Rainbow Runner, and the Matrox G400-TV are considered good video capture cards, but they are kinda old so video drivers for Windows 2000 and up may be hard to come by. These cards range from about $80 - $250, depending on the card and where you get it. Ebay is a good starting place for these older cards. If you have to, www.pricewatch.com will be able to help you with new purchases.

Midrange cards start at about $450 and go up in price quickly. Personally, I use a Pinnacle DV500 card for video capture, though it really isn't necessary anymore with so many DVD titles to choose from. The Matrox RT2500 is another popular choice. These cards, in addition to being good capture cards, offer real-time rendering of effects. This real-time rendering saves lots of time when working with and competing your video because you don't waste time waiting for effects to render. Check the video card review section of the site for more information.

Something else you may want to consider when purchasing a video card is the bundled software. Some video cards come with Premiere or other professional editing software bundled with the card, so check out what comes with what.

HARD DRIVES

Hard drives are key to good video capture. If you have slow hard drive, you will drop frames during capture (that's bad). ATA/66 drives on a ATA/66 controller are a good minimum for most video capture cards. ATA/100 with a dedicated controller card is nice for PCs. If you can afford SCSI, go for it but you will be paying a ton for the drives. Most any modern hard drive will be plenty fast for video captures. Of course if you are just pulling source from DVD, hard drive speed is not as critical, though it does make editing and rendering a bunch nicer.

Another key thing with hard drives is keeping them defragmented. You'll want to keep large contiguous chunks of free space for happy capturing. If your drive has to jump around looking for places to put the video that you are capturing, you're probably going to drop some frames. A good tool for defragmenting is Norton Utilities, which you can pick up [current version]-1 for about $10 to $15. It's well worth the investment. After a day of capturing and editing, you can set your machine to defragment over night, just be sure to turn on "confirm writes".

RAM

Another big thing that affects video production is RAM. At current prices, there is no excuse for having less than 128 M or even 256 M of RAM. Heck, a stick of 512 M PC133 can be found for about $100 nowadays. Video editing takes large files and manipulates them. The more RAM you have, the less disk swapping your editing program will have to do and the more efficient your computer will be at creating the video. Get as much RAM as you can afford; you won't be sorry.

CPU

The last big thing is raw CPU power. The general rule is the bigger the better, but you'll probably want to go with the most bang-for-buck CPU you can get. Generally, an Intel PIII or Athlon Thunderbird will do nicely, though you can still get by with older chips (you'll just be spending more time waiting on your computer to do things for you). The choice is up to you.

For my next video project, I will probably just use my laptop (Dell Inspiron 8100, 1G PIII, 320M RAM) and get my footage from my DVD collection. If I have to use analog source, I can run it through the firewire (IEEE 1394) port via my camcorder.

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STEP 2: GETTING STARTED

Post by Guides » Sat Oct 14, 2023 6:09 pm

STEP 2: GETTING STARTED


An anime music video starts with an idea. There are generally two approaches to getting an idea. You either choose the song first and then place some anime to it, or you choose the anime first and then find a song to fit. Both approaches are equally good for getting an idea. Remember: you will be listening to this song for the new few weeks or months, so make the song something that you hopefully won't get sick of quickly. It is very difficult if not impossible to make a good video in a weekend. The more time you put into your video, the better the video will be.

RESEARCH

First, you have to find out if your idea has been done already. Luckily, this phase of creating your video has gotten tons easier with this site. Browse though the catalog of videos that have been entered and see if your idea has been taken. If a video has been done already, download the video and watch it. Generally, nobody wants to see a video done again (unless you think you can do soooo much better than the first guy).

LENGTH

If you notice in your preparatory research, most good videos are about four minutes or so long. If the song you choose is longer than that, an easy way to remedy the length is to cut out a verse or a guitar solo or some other part and splice the song into a shorter track. Doing long songs with videos is very difficult because you have to hold your audiences attention and keep the video idea going longer.

Another good method for reducing song length is to just fade out the music and cut it off whenever your ideas run out. It's better to stop while your ahead instead of killing the video by putting in filler material. Extending a short song is generally not a good idea.

PLAN, PLAN, PLAN

To the newbie, you may be saying to yourself, "No problem. I get the same cool feeling when I listen to this music as when I watch this anime. I can match them up in some cool way." You've got to do more than find some music that matches some anime. You actually have to do something with every moment of the four minutes or so of the song. A good thing to do is to plan out some sort of story or overall concept to go along with your video. In my "Material Girl" video, Nabiki's clothes get more and more lavish as the video goes on (this was not an accident). Remember: music + random scenes does not equal a good video.

One thing you will want to plan on is the video off with a bang and end it with a bang, or at least something cool. Surprisingly, it's not necessary to have constant high kickin' coolness throughout your video to have an overall good video. Viewers can usually tolerate a lull in the action during the video. In fact, the contrast of a low point in the action of a video will help enhance the high points of the video. The one thing you don't want to do is start of real cool and then slowly fizzle out into nothing. Generally a good video will start with a bang, go low and then build until the final bang at the end.

Four minutes is 240 seconds. If on average there is one cut per second (some cuts last a few seconds while others only fractions of a second), that means there is a minimum of 240 clips you have to dig up for your video. If you're looking to lip sync, prepare to make many many more.

LISTEN UP

Now listen to the song you are going to use. Listen to it again. And again. And again. Listen to every beat, symbol crash, rise and fall in dynamics, tone, melody, bass, rhythm, everything. Pick the song apart piece by piece on every layer. Listen to it at home, in your car, at work/school. Visualize as much as you can of what you want to create.

Generally songs have lyrics. Go out and get a copy of them. Write them down or print them out. Listen to the song and time the lyrics. How much time before the lyrics start? How much time is in each line of each verse? How much time between verses? How long is the chorus? How long is the solo?

MAP IT OUT

On the copy of the lyrics where you've now mapped out the lyric times, write in or storyboard some ideas on what should go where. This will give you a good map on what clips to look for when you go to get some footage.

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STEP 3: GET SOME FOOTAGE

Post by Guides » Sat Oct 14, 2023 6:12 pm

STEP 3: GET SOME FOOTAGE


Let me start off by saying this: internet and compressed anime footage blows!! Don't even bother using it. Your video will look like crap. Bigtime. Don't give me that, "Oh, I can't go out and get a real copy" bull. If you're going to do a video, do it right. Save up and go buy a copy on tape or DVD. If you have to, go out an rent it or even borrow it from a friend who has the footage. Find a real copy somewhere.

VHS

As far as source goes, VHS is ok. The one thing you will want to do is make sure you have a clean copy. If your copy looks as if it has been viewed 200 times, it probably isn't going to give you clean footage. Your video can only look as good as the source (unless you are willing to put in LOTS of time digitally cleaning it up). There are too many videos out there that have streaky lines and chopped up garbage as source footage. You don't want your video to be one of those.

Oh yeah, make sure the VHS copy is a NON-SUBTITLED version. Most anime watchers have a Pavlovian response to read subtitles any time they appear on the screen. We can't help it. If you want us to pay attention to your video, make sure there are no subtitles going along the bottom of the screen. As a last resort, use black bars or fake a letterbox screen cut to cover the subtitles. There is also a guide dedicated to removing subtitles.

LASER DISC

Laser discs are a now obsolete method of storing movies. Laser discs are really big, really heavy, and really expensive. But, laser discs are an excellent source of quality footage. If you happen to have some or have a friend who will let you borrow theirs, consider yourself lucky. The major drawback is that you need an analog capture card to get the footage into your computer.

DVD

Now DVD rules the world. I would highly suggest that you purchase or use a DVD copy of the anime you are going to use (in fact, I have sworn to never purchase VHS again). Plus, if you have a DVD drive in your computer, capturing is a snap. A computer DVD drive can be grabbed for $25 or less (even cheaper on eBay).

One thing you may want to keep in mind when choosing footage is the aspect ratio of the anime source, letterbox (widescreen) or pan-and-scan (TV sized). You generally don't want to mix the aspect ratios because it gets annoying jumping between the two in a video (it's big, it's small, it's big again).

VIEW

Now take your song map you made in step 2 in one hand, your video remote in the other, and watch all the anime you are going to use in fast-forward. Look for clips as they fly by that would match the ones you've written down. When you see one, do a rough time count to see if it fits time wise and then write down the clip location (tape 3, 20 mins 12 secs in). Do this for as many clips as you need for your video.

CAPTURE

Once you have a list of footage to use, setup your capture station and start capturing away. Capture at the highest resolution and quality you can. If you are capturing footage from a VCR or laser disc player, be sure to use the s-video component if you can. Your captures will come out much nicer than using the regular RCA composite connection. Also make sure you capture a second or two buffer before and after clip you want to use. You can trim things down easy enough, but if you don't have that first or last split second of footage, you don't have it.

MUSIC

The last thing you need is a copy of the music to go with your video. As with video, downloaded MP3s are not good. Go out and get a CD copy or even borrow one if you have to.

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STEP 4: CUT, SPLICE, AND SYNC

Post by Guides » Sat Oct 14, 2023 6:13 pm

STEP 4: CUT, SPLICE, AND SYNC


Get a comfy chair because here is where the most time will go into your video. The more time you spend on this step, the better your video will look.

ACTION

The first and easiest thing to do once you start arranging your clips to the sound track is action sync. From your planning in step 2, you should have a good grasp on where the beat, symbol crashes, and dynamics are in your song. The trick is to make stuff happen at those times. Generally, the more stuff happens at these times, the better the video will look.

GAG ME

"Gag" sync (funny or ironic lyrics matching to the action) is more of an art form than action sync. For gag sync to work, the viewer must usually hear the words and then see the gag. The time between the word and the gag is where the art form part comes in. You usually don't want the gag and word to happen at the same time. This causes the viewer to go, "What was that? I missed it..." Give the viewer time to absorb the word and then anticipate the gag.

Also, don't over-use the gag. It may be great the first time and cool the second time, but after five or six times of the same thing, it's probably getting old fast. Try changing the gag around into something more unexpected.

LIP SERVICE

Lip sync can be easy or hard depending on the scene you choose to sync. Easy clips to lip sync are ones where the character speaking and the only thing moving in the entire frame is the mouth. Generally in these clips, there are two positions of the mouth, open and closed. Advanced (and better) lip syncing can be done with more mouth positions. To lip sync, all you have to do is isolate the open and closed frames and then repeat them with the words. The open position could be repeated for five or six frames and then two or three frames of the closed position. With more mouth positions, you can follow the dynamics of the lyrics better and add more realism to your lip syncing.

Hard lip syncing clips are ones where there is a lot of movement in the shot, either by the character or the background. In these shots, you either have to be lucky or do some major Photoshop work to get the sync right (most of the time it's luck). Basically, and this applies to the easy shots as well, if the mouth movement starts when the words start and the mouth movement stops when the words stop, the shot should look fine (or at least as good as the overdub version).

Mouth movements are not good when there are no words. Mediocre videos will usually make the mistake of having talking head shots during the solo of the song. It may be a crucial moment in the anime where someone is explaining something extremely profound to someone else. But to the viewer who hasn't seen the anime yet (imagine that, someone who hasn't seen the same anime you have!), the viewer is left thinking "I wonder what are those people talking about?" instead of paying attention to your video.

REPEATING

Another thing that is generally not good to do is repeating footage. Say you get through the first verse and chorus. After the second verse you get to the second chorus. Don't use the same series you did for the first chorus. Bad, creator, bad! Even using the same clips in different parts of the video is usually bad. The viewer is going to say to themselves, "you've been there, done that". There are some good uses, such as repeating a small segment in rapid succession for dramatic effect. Other than that, repeating footage in a video is considered bad.

EFFECTS

The last thing to cover here is digital effects. I know, your looking at this big pallet of effects and transitions, like a kid in a candy store, wondering how you're going to fit them all into your video. Don't do it! There are plenty of excellent videos which use few to no effects. Digital effects should only be used to help tell the story your video is trying to tell. Using digital effects for the sake of using them puts you video in danger of falling into the "Episode 1" category. (In case you're new to this planet, "Star Wars: Episode 1" was the much anticipated first prequel to the widely famous, and considered sacred, Star Wars series. It has some dazzling effects and cool ninja moves, but other than that, the movie unfortunately blows.)

I'm not just talking about cheesy effects either. There are some videos out there that have some spectacular and impressive effects, except there was to much emphasis on the effects and the video wasn't that good. The best example of the good use of digital effects in a video that I know of is "Tainted Donuts" by Weibelius (Eric Kobet). It's chock full of effects and each adds to the telling of the story in the video.

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STEP 5: FINISH UP TO DISTRIBUTE

Post by Guides » Sat Oct 14, 2023 6:18 pm

STEP 5: FINISH UP TO DISTRIBUTE


Alright, you've planned out your video, captured the footage, and cut, spliced, and synced for weeks. It looks great!! What's left?

BUMPERS

The first thing is the intro and closing captions, also know as "bumpers". Bumpers are completely optional. Many of the top video producers don't use them, so don't feel obligated to. If you are going to use them, try to keep them around the 6 to 8 second mark and definitely under 10 seconds each. Not many people want to sit through a 10 to 30 second intro before they see your video no matter how cool the intro is. People want to see the video, not some 3D graphic that took 30 hours to render. Simple bumpers are the best. Some text about who you are, the name of the video, music, and anime is all you need. Plain text is fine.

COMPRESSION

The last thing is compression. Not many people want to download the couple-hundred megs of your completed video. Compression is necessary. There are tons of ways to compress your video. I'm going to talk about three of them: MPEG 1, AVI, and RealMedia.

MPEG 1 is considered to be the method of choice to compress and distribute your video. If done correctly, it gives a clear, smooth picture and excellent sound quality. A resolution of 320x240 or there abouts is the usual distribution resolution.

For AVI distribution, people like to use the DivX codec. It does a heck of a job compressing with good results.

Finally there is RealMedia. Many people poo-poo this method of compression, mainly because there are not that many examples of good output. Most people for some reason use a low bitrate when compressing with RealMedia. If you use RealMedia, make sure to use a high bit rate when you compress. You can get the free version of RealProducer, but it will only compress as high as 450 Kbps, which is not bad at all. You can use higher bitrates with the retail product. The best example I have found of a good RM video is "Blue Mercury" by Aluminum Studios. It is compressed at 650 Kbps, is 15.8 megs, and looks better than his 25 meg MPEG version (in my opinion).

There is a giant guide dedicated to video compression "AbsoluteDestiny & ErMaC's Technical Guides to All Things Audio and Video"

DISTRIBUTE

Now all that is left is to enter your video information here at AnimeMusicVideos.org and then distribute your video to some conventions or on some server. Good luck!!
-- Phade --

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Post by Guides » Sat Oct 14, 2023 6:18 pm

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PHADE'S REQUIRED VIEWING

Post by Guides » Sat Oct 14, 2023 6:21 pm

PHADE'S REQUIRED VIEWING


Ok, here are what I consider "required viewing" before creating you own video. These videos are in no order of importance (if you don't count alphabetical). Though some are immaculate in presentation, they each have their own problems, some more obvious than others. This is by far not a be-all-end-all list of the best videos out there. It is meant as a starting block and common ground for people to base their own judgments and creative initiative by.

Aluminum Studios - Blue Mercury - Interleaving action scenes

Ashura - Get a Job - Added homemade graphics for punch

Brad DeMoss - Episode 1 - Alternative "music"

Duane Johnson - I Got a Girl - Various anime

Kevin Caldwell - Believe - Good digital effects

Kevin Caldwell - Caffine Encomium - It doesn't have to be rock music...

Kevin Caldwell - Engel - Plain good editing, subtle effects

Kusoyaro - Bachelorette - Artistic approach

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